My practise is concerned primarily with exploring the temporal space between transience and permanence. I make work with photography and moving image but also work with audio, book making and installation. I was awarded the degree of Master of Arts in Photography and Critical Theory from the University of Brighton, with an overall Distinction, and a High Distinction for my Degree Show, in 2017.

My work is collected internationally and exhibited widely, including at the Royal Academy of Arts, Royal Scottish Academy, Towner Gallery, Somerset House and the Royal Glasgow Institute of Fine Art.

My working process requires patient and repeated exploration of each location, an endeavour not immediately apparent and yet indelibly inscribed into the work. Human presence is implied but never depicted. My most recent, intimately related, work Hogsmill Valley (1977) and It Happened Here investigate my concerns mediated via obsession and repetition.

I am currently making new work, a long term project with the preliminary title Like, Forever. The work considers the temporal quality of the civil nuclear endeavour in the British landscape, reflecting on the longevity of its presence in the context of different and escalating time scales including generational, historical and geological.


Click here to download a PDF of my CV



2017 Master of Arts, Photography and Critical Theory (Distinction), University of Brighton, UK.

2014 Visual Arts Associateship, Royal Photographic Society.

Group Shows


Annual Open Exhibition, The Royal West of England Academy, Bristol, UK

Not the Final Major Project, Brighton Photo Fringe & PhotoHastingsHastings Arts Forum, Hastings, UK

Artsdepot Open, Apthorp Gallery, Artsdepot, London, UK

London Nights, Museum of London, London, UK

Electron Salon Invitational, LACDA, Los Angeles, USA


Snap To Grid, LACDA, Los Angeles, USA

National Open Art Exhibition, The Bargehouse, Oxo Tower Wharf, London, UK

The Royal Glasgow Institute of the Fine Arts Annual Exhibition, Mitchell Library, Glasgow, UK

Open Exhibition, Royal Scottish Academy of Art and Architecture, Edinburgh, Scotland

Sussex Open, Towner Gallery, Eastbourne, UK. (Jury: Richard Billingham, Rosie Cooper, Brian Cass)

Storying the Self, University of Brighton, Brighton, UK


Counter Memory, MA Degree Show, University of Brighton Galleries, Brighton, UK

Summer Exhibition, Royal Academy of Arts, Piccadilly, London, UK


Royal Photographic Society International Print Exhibition. (Jury: Richard Billingham, Simon Roberts, Louise Clements, Bridget Coaker, Dewi Lewis.)

  • Truman Brewery (London, UK)

  • Royal Albert Hall (London, UK)

  • Aberystwyth Arts Centre (Wales)

  • The Hive (Worcester, UK)

  • Warrington Museum & Art Gallery (UK)

  • Municipal Gallery (Dún Laoghaire, Republic of Ireland)

  • University of Derby (UK).

Alamy Portraits, The Print Space, London, UK.


Sony WPO Awards, "Commended" in Architecture category, Somerset House, London, UK.

Southampton International Exhibition of Photography, Southampton, UK.

Remembrance, Brighton Dome, Brighton, UK.

Blue, Darkroom Gallery, Vermont, USA.


Best Shots. Jury Chair: Joe Cornish Hon FRPS

  • Joe Cornish Gallery (Northallerton, UK )

  • The Station (Richmond, UK)

  • Kellie Castle (St. Andrews, UK)

  • Oriel Plas Glyn Y Weddw (Llanbedrog, UK)

  • Michelham Priory (Hailsham, UK)

Brighton Photo Fringe 13 – The Miniclick Group Show, The Phoenix Gallery, Brighton, UK.

Best Of Show: The Photo Review 29th Annual International, Gallery 1401, University of the Arts, Philadelphia, USA. 


A5, Vol. 9, Dec. 2017

Average Art, Vol. 16, p.7-8, Nov. 2017

Wotisart, p.5-6, Oct. 2017

Darren Campion, Borrowed Words: The Language of Photographic Education, YET Magazine Vol. 10, p.84-91, 2016

Interview, The Fine Art Collective Vol. 2, Photowhoa, p.52-61, 2016


2018  Winner, Dark Corners, British Journal of Photography.